Showing posts with label motives. Show all posts
Showing posts with label motives. Show all posts

Monday, June 11, 2018

Developing A Character


Developing a character - whether it is a main character, or a supporting character, is a process. We want to make them real, and we want the relationships between them to be real. They can relate in all kinds of ways: they can be siblings, co-workers, boss and employee, rivals, partners (business partners, romantic partners, partners in crime), human and pet (I didn't use the term "owner" because it is very quetionable whether we own animals, or they own us!) ... the list goes on! How these relationships will flow depends on the relationship, the environment, and the storyline. Characters should be opinionated, willing to take risks, and clearly be a part of a group dynamic. The storyline can be moved by a bit of ambiguity in a character, as well as the power of long held grudges (business or personal).  

There should be a motive for everything that your characters say and do. Sometimes not revealing the motive until close to the end of the book will allow for some interesting side-trips and false clues - things that spice up your book! 

A book bible will certainly come in handy, because as writer's we need to understand our character's history (and keep it straight), so that our readers don't see one thing on one page, and another thing two chapters later! This holds true for a stand alone book, but even more so if you are writing a series.  Your characters need to show some attitude - and there has to be a reason for it. You need to give your readers a reason for liking your characters - and continuing to purchase your books!  

Things to watch out for when developing your characters: (1) Do not make them one dimensional - this is boring, and they won't seem real to the reader. (2) Imperfections in our characters is what makes them interesting - don't make your character Mr/Ms Perfect! (3) Don't allow your characters to fall into a stereotype - it just isn't interesting when the reader can tell way ahead of time what a character is going to say or do.  (4) Don't try and create the best version of yourself as one of your characters - for one thing, this doesn't exist, and for another thing, yhou may become way too vested in the character.

Characters should be developed in detail, and they should appear to be real people. As you are developing your characters, remember that they need to be realistically based on the history that you have given them. Make your secondary characters just as interesting as your primary characters, as they are either supporting the storyline, or moving it along.

In my next blog, I will be talking about how characters interact.

(c) June 2018 Bonnie Cehovet
Reproduction prohibited without written permission of the author. 

Sunday, July 29, 2012

The Planning Stage

I keep saying that I am a "pantser" - that I write by the seat of my pants. And that is very true. But it is also true that I like to have at least a bare bones outline, so that I have a clue where my story is going, and how my characters relate to each other. Without that, they could get into all kinds of trouble! Knowing where I am going (and yes, this can change as I write) creates boundaries for me to work within. They don't stifle me, but they do give me a grid to work within.

If I try and stay within the confines of this grid (which can get very complex!), I have to do less rewriting. It is not at all fun when you realize that your chapters don't hold together ... and that they aren't holding together in a very glaring fashion! Definitely a "How could I have done that!" moment. Hopefully, I have learned from my experiences.

I work with a bare bones outline - but it is an outline. It not only keeps me organized (very important for us Cappies!), but it allows me to revise in a timely manner, without having to look things up, or sit there wondering how I got to where I am in my story. I actually love to do the outlines for my stories - it is a wonderful way for me to get into the creative process. I put down whatever comes to mind, then go back and edit it to bring the elements together, and take out elements that obviously are not going to work. Saves me time, saves me headaches, and my fur kids have a happier mommie!

What can your outline do for you? For a mystery writer like me, it can help establish clear motives. (Readers tend to wander off without finishing a book when things like motives are not clear.) The primary plot and the sub-plots are able to sort themselves out. (The sub plots make the story, IMHO. I just finished reading "Stranger In The Room", by Amanda Kyle Williams, and the sub plots are so finely woven in that the story just flows - one never questions what is going on, or why.)And ... your story stays on track ... no wandering off into its own little world!

One last word on outlines - you can do them however you please! Write them in a file, in traditional outline format. Get out the junior high index cards and work with them. Go high-tech with a spreadsheet (very cool, but not for a non-techie like me!), or use writing software of some type (there are plenty of options out there!).

It doesn't matter how you plan your story ... it just matters THAT you plan it!

(c) July 2012 Bonnie Cehovet

Long Chapters Or Short Chapters - What Is Your Preference?

Does it make a difference to a reader whether the chapters in a book are long or short? It does to me. I like shorter chapters, as they feed...