Creating Characters That Jump Off The Page!

 

How do we create characters that simply jump off the page? As you know (well, maybe you didn't know, but you do now!) I am diving off the deep end and writing a Kindle Vella book - the kind of book that comes out in episodes to constitute a series. I had no clue how I was going to do this, so I just started writing. I was pleased to see the plot developing as I wrote, and the characters basically writing themselves.  

My protagonist, Anne Devereux, is the owner of Anne's Antiques. After a twenty-year career in New York City, she is back in her hometown of Fairfax, VA, running her deceased grandmother's antique business. Part of what defines Anne is that she is now back in a mid-sized city environment, where she knows many of the people. She is part of the downtown business community and has a committed relationship with Tom. Just "Tom". No last name yet, and no occupation. And the series is almost halfway finished! 

What I do know is that the characters of Anne and Tom understand each other, and work well together. There is another character that will play a small part in this series. He is a police officer and has the air about him of being a very caring person, one that is knowledgable about his job, and one that deals with people well. These are all characters that the reader can see and feel. They can see them in their minds doing their jobs. They understand why they make the decisions that they do.

What is important to me about a character is that they are believable, that they act consistently, and that my readers will want to read more about them. I find myself having conversations with my characters, and I let them write their own dialogue. 

If you want to see your characters more in-depth you could use the Myers-Briggs personality assessment. This will give you insight into how they will act, and why they will act that way. There is an online Myers-Briggs assessment available here - Myers-Briggs Assessment. 

Give your characters skills and the opportunity to use them. Let them be themselves, let them talk for themselves. You will have to do a lot less rewriting!

(c) June 2021 Bonnie Cehovet

Reproduction prohibited without written permission from the author.

Writing Believable Characters

This is really a continuation on last weeks blog about creating characters. One thing that we need to see in characters, as well as in the story line, is believability. If a character does not seem believable, even in a fiction story, then you are not going to retain the reader's interest, and you are not going to be able to build your story. if you try to do so, your characters themselves will simply refuse to fit together the way that you want them to.

Start with their name. Names are everything! They reflect our cultural background, our family background, and the times that we were born into. Our name, in a sense, IS who we are. So give your characters names that reflect who they are, and where they came from. If you like their name, but they don't ... change the name! Characters are powerful people! Your characters names need to have a rhythm, a cadence of their own. And it probably is not a good idea to have different characters int he same book with the same name. This ends up somewhere between boring and confusing for the reader. Remember ... both the reader and your character have to be able to accept and relate to the character's name! As I revise my first attempt at a mystery, I decided to start over again on both location and character names. The story line will remain basically the same, but tweaked to remain in the area of possible/plausible.

One thing that I had to remember is that some of the characters from my first book will be carried forward, as I want this to be a series. As the series grows, my characters will grow. To do that, they need a firm foundation, and viable connections to each other. They have to be able to function through varying story lines, which is making me stop and think about what I want them to say and do. My main character I have firmly in mind. I know who she is, how she thinks, how she acts/reacts. The protagonist is another thing. The protagonist in my first story may be my main character ... that seems to work for me. The role of the hero (the person who saves the day) is not relegated to one person in my book. it is a group of friends that function well together. My antagonist - the ultimate "bad guy", is a combination of a single person and the group behind him. The obstacle is not a character, but a belief. it is something that affects all of the characters in some manner. Logic and emotion find their balance in my character's world. The archetype of sidekick for the series I am writing doesn't seem relevant, as the main character works to solve the issues of the story with other people.

Taking all of this into consideration - as well as the story bible that I discussed last week, I feel that I am well on my way to creating a viable story line!

(c) June 2012 Bonnie Cehovet