Organized Chaos

 

It is Monday morning, and I am in the middle of organized chaos. I love the word chaos - such lovely energy just zooming around at will, causing havoc here and there! The Cambridge Dictionary defines organized chaos as "a situation in which there seems to be a lot of confusion and no organization, which makes you surprised that the results are good". 

I look at organized chaos a bit differently. I see it as bits of random chaos that are actually diverse small sections of action that within themselves are quite organized. In the end, everything comes together with the desired result. I am seldom surprised that the end results are good.

What I am doing right now - since we are almost to the end of the second month of 2021 - is setting out a rough sketch of the Christmas mystery novel that I will be putting up on Kindle this November, I know who several of the characters are, where the physical setting is going to be, and the "why" of the major story. I am going to leave it to the process to develop the minor stories that make any book captivating to readers.

Since I have decided to do the same setting every Christmas, with pretty much the same characters, I will need to develop a method of keeping track of the "minor" details - what each room consists of, who likes who, who doesn't get along with who, interactions amongst the businesses in the local area and such.

I have the idea for the story in my mind, and I have fleshed it out in my mind. Now to set down what is going into each chapter, and how this will develop from chapter to chapter. It will be a relatively short book - around 50,000 to 60,000 words. Longer than a novella, which is usually set at 40,000 words max.

Off to see where my characters want to take this story!

(c) February Bonnie Cehovet

Reproduction prohibited without written consent from the author.

Outline For A Mystery Novel

I tend to work from outlines, even with my fiction writing. It flows, but I need to have some kind of foundation to get a grip on what I am writing, In the first chapter I look at introducing the main character, and setting the tone for the story – I am working on a mystery, so I set the plot for the mystery itself, and what needs to be solved. The time and place of the mystery itself needs to be clearly set. This can get tricky, because often a mystery that occurs in the present is based on actions in the past.

In the second chapter, I start setting out clues … some of which may be real, some of which may be false. There needs to be a few twists and turns in this story, after all! Secondary characters may also start appearing as soon as the second chapter. A little “back story” on my characters – I do a complete identity sketch on each of my characters: their name, where they are from, what their physical characteristics are, what they do for a living, where they live, what they wear, what their beliefs are, what their goals are. This helps me to keep things straight, and to keep each character and their relationship with the other characters authentic.

In the third chapter I want my characters to start following leads. To start trying to solve the mystery. Odd facts start popping up, some leads end up nowhere, other leads bring out information that sheds new light on people and events. This is the chapter that I introduce a sub-plot … something for the reader to follow that has nothing to do with the mystery being solved. The sub-plot for me has to be two things: interesting and relevant.

In the fourth chapter the plot thickens! Clues start coming together, and suspects start revealing themselves. Clues may disappear, or people may disappear. Suddenly there is more of a sense of urgency to get this mystery solved, before something else happens, or someone else gets hurt.

In the fifth chapter evidence that is coming out of the investigation starts to point at a specific suspect, or group of suspects. A solution begins to reveal itself … although this may not be the right solution, or at least not the complete solution.

In the sixth chapter the sub-plot takes precedence. This generally has to do with the main character, and addresses what makes them tick, what drives them, that little something in their own background that has them taking the actions that they have taken.

In the seventh chapter  things start to get a nit sticky. Hidden motives, and hidden relationships start to reveal themselves.

In the eighth chapter the main character in some way reveals the results of their investigation. I try to put things together in a way that makes sense, but that does not reveal the solution to the mystery.

In the ninth chapter my main character is going over their actions, the clues that they have revealed, and the information they have gathered. Basically, they are looking to see what they may have missed. At this point, I will bring out critical evidence that has somehow been missed up until now.

In the tenth chapter I bring things together, and the mystery is solved. I love dramatic resolution, and I love justice for all!

This is my basic outline for mystery writing. Things can be adjusted, more chapters can be added, but the basic ingredients need to be there: there needs to be a crime, the crime needs to be investigated,  there has to be tension and drama, and my primary character needs to be deeply involved.

Here’s to a good mystery!

© 2000 – 2013 Bonnie Cehovet

Reproduction prohibited in any venue without the written permission of the author.

First Chapters

 

I have spent a fair amount of time lately thinking about entering a writing contest ... a specific writing contest. In the end, I decided not to. This lead me to thinking about taking my mystery novel out, sharpening my pencils (or learning to work with Dragon Speak!)  and getting a first draft written. For me, the first chapter can be a difficult one. What do I need it to do? Introduce my main character, for one thing. Establish my "voice" for another. My voice for my fiction writing will be a bit different than my voice for other writing that I do. Or perhaps not ... perhaps I am always me.

In my mind, I need to make the main character a strong one ... one that readers will identify with, and that I feel comfortable with. Rather like the person that I would want to be. I want my readers to be drawn into this person's world, to want to walk with her, to want to finish the story! I want to show my character's strengths, and perhaps hint at what her weaknesses might be.

The first chapter is also where I set the tone for the story,where my readers decide if they want to read the rest of the book. Am I going to be uber serious? Am I going to inject a bit (but not too much!) humor? Is there a lot of blood and gore to follow? And by the way ... what is the theme? Perhaps I should sneak that into the first chapter too! Is it romance? Is it theft? Is it family secrets? Is it cyberspace? Is it addictions? Fess up ... let the reader know!

I know exactly where my mystery is going to take place ... in Las Vegas, Nevada. It is important to me as a reader to know what country, and what part of that country, a story that I am reading is taking place in. I will give my readers that same courtesy ... to know where the story is taking place. And the places will change, as I have great hopes on making this a mystery series.

The bad guy (antagonist) will need to show up in my first chapter too ... or at least a hint of who they are, why they are in that position (perhaps a bit of back story), and what the tension is between my main character and the antagonist. Hint ... the antagonist does not need to be all bad (none of us are all good or all bad).

Lots of stuff that I am finding out needs to be in my first chapter! That's okay - I am ready. I have my outline, and I have my characters sketched out in profiles. Who they are, where they live, what they do for a living, where they went to school, what their preferences and dislikes are. It's all written out! To be honest, I did that for reference for myself, so that I can keep my characters straight!

One least thought,  that doesn't belong in this article, but is too good to keep quiet about! When you take out a phrase, or even a whole section, or chapter (this is called editing), don't throw it away. Keep it ... you may be able to use some of it in later chapters, or even in other books or articles. Waste not, want not!   

(c) 2000-2013 Bonnie Cehovet

Reproduction prohibited in all  venues without written permission from the author.